If you are coming from Auxy, you can now export your work directly as a Bitwig Studio project. On the import side, you can now import data from FL Studio (FLP) and Ableton Live (ALS) project files. There are also improved export options with lossless formats (WAV & FLAC), lossy options (OGG & MP3), and a new contender (OPUS). Functions, labels, and in-app documentation can be displayed in any of these languages. Additionally, Bitwig Studio 4 is now localized in Chinese, Japanese, and German. Furthermore, Intel and ARM VSTs can live alongside each other in the same project. The new Bitwig Studio version 4 runs natively on Apple Silicon. You can even cast the dice yourself by clicking the Seed field of any clip. And then again, the new values appear when the next loop cycle begins. With the editor open, all destined random values are visualized when the clip starts. Or, create a note that starts in tune and then drifts to a random pitch. You can give note velocities randomization, but you can also give each piece of a chord its own panning. Version 4 has visualized Expression Spread range to any expression point. Recurrence thinks of each event as its own looping timeline.īitwig’s engine allows expression automation for notes and audio.Occurrence sets conditions for each event.Repeats allow each event to retrigger at a set rate, or just divide the note length into any number of pieces.Chance makes each event more or less likely.Operators include four modes, which can be used individually or in any combination: While Modulators have been a Bitwig centerpiece all along, Bitwig Studio version 4 brings Operators to program sequenced note and audio events. Or just drag audio in to add a new take lane. If you ask for an eight-bar comp, the entire clip will be spooled into take lanes, and the comping can begin. And since all good techniques deserve a new trick, right-click any audio clip to Fold To Takes. Comping works wherever you are, now and later. Even open the layered editor when multiple comps belong together. Or just drag clips in either direction with your takes safely inside. So if you are composing in the Launcher, just click to enable comp recording right there. Since we have a Launcher and an Arranger, comping lives inside the audio clip. From the composite lane, move a boundary by clicking, adjust gain by dragging, or fix timing by sliding. Then press the up or down arrow to cycle thru the other takes. To swap in a different take, just tap it. In the company’s own words:Įach take is given its own color so from the first swipe of a take lane, the sources are clear. Audio comping in Bitwig is enabled both in Clip Launcher and Arrangement views.
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